Sched.

Conference Dates: March 28-31. 2013
[tentative schedule as of March 27, 2013; times are subject to change]

• • • • • • • • • • • • • • • • • 
JEUDI [ Thursday ] 28 . MARS 
Scrawl Crawling from the top of
Notre Dame, avec the Eiffel Tower as a backdrop.
pre • conference

2:30-6:00 | Scrawl Crawl

What is a Scrawl Crawl?  An event where individuals create something speedily drawn or written [=scrawl] that is inspired by their creativity and observational powers as they go from place to place [=crawl].
Why Participate?  It's a great way to see Paris, to meet up with fellow children's book writers & illustrators and spend an afternoon being creative together before the conference. We'll visit historical spots featured in the interactive storytelling app Beware Madame La Guillotine! created by SCBWI member, Sarah Towle.

Check out the blog post to find out about her success story!

Beware Madame La Guillotine has revolutionized the way I 'see' Paris, imagine visiting the Paris of 220 years ago, it's about as close as we can get to an actual time machine. The app isn't required for the Scrawl Crawl, but I can recommend it as a writer, tourist and history geek. Kirsten Carlson, Scrawl Crawl Co-Coordinator
 
The City of Lights was once made bright by the flash of a revolution’s guillotine, and this app provides a glimpse into one of Paris' pivotal backstories...through the eyes of one if its key players, satisfying both historian and eager tourist. - Kirkus App Reviews



Thursday Evening | Kid Lit Drink Night

If you've signed up for the KidLit Drink night, it will be at Ma Salle à Manger which is a ten minute walk from the last Scrawl Crawl spot. 
(Use the link below for more information at the restaurant's website. There is a map.)

We have a reservation from 6:15-7:30. Everyone will pay for their own drinks. 
If you want to stay for dinner, you'll need to make a reservation. 

Ma Salle à Manger
Ile de la Cité
26 Place Dauphine
75001 Paris

Metro : Pont Neuf
tel: 00 33 1 43 29 52 34
http://www.masalleamanger.fr/

• • • • • • • • • • • • • • • • • 

Heure
Place
Session
Vendredi





9:00-10:00
Gallery
Registration
10:00-11:00
Room 22
Bienvenue & Presentation
11:00-12:00
Room 22
SCBWI P.A.L. Panel
·  Lenore Appelhans, YA Author
·  Daniel Jennewein, PB illustrator
·  Hazel Mitchell, writer-illustrator
·  Anne Nesbet, MG author
·  Amy Plum, YA author
12:00-13:30
Room 22
Lunch Talk (lunch is provided)
Elizabeth Law: Getting Published Internationally
Learn about international publishing, attending international book fairs like Bologna and Frankfurt, what you should be doing to be a writer and illustrator on an international level, and when is the best time to work with a manuscript consultant.
13:30-14:30

Premier Session

Room 13 Computer Lab
Writer Session: Sandra Nickel • Showing not Telling—The Way Actors Do It
We all know to show, not tell, in our writing. But how do we find new ways to reveal our characters' feelings? How can we move beyond "he sighed" and "she lifted an eyebrow"--stock gestures we have seen countless times? Explore how actors take on the challenges of showing, not telling.

TBA
Illustrator Session: Daniel Jennewein • Keeping the Charm Alive
During the illustration process it can be challenging to “keep the charm alive.” After revisions, final artwork can lose the spontaneity and liveliness of original sketches. But these qualities make illustrations engaging and memorable. Your point of view counts for more than technical perfection. Daniel demonstrates how he has overcome this dilemma in his own work and others’. 


14:30-15:30

Deuxième Session

Room 13 Computer Lab
Writer Session: Amy Plum • Creating Mythology: World Building 101
Amy Plum leads a discussion of world building, using examples from her own DIE FOR ME series and other current young adult fiction. As well as approaching both general concepts and specific examples of creating mythology, Amy leads the group through several world-building exercises.

TBA
Illustrator/writer session: Hazel Mitchell • Shaping the Graphic Novel
An overview of where the graphic novel is going and why it just may be what you’re looking for. A look at the structure of the graphic novel for writers, illustrators, or author/illustrators. Translating a picture book or chapter book into a graphic novel. Scripting, outlining, submitting. Where to start and how to move forward.
15:30-16:30

Troisième Session

Rm 13 Computer Lab
Writer clinic: Lenore Appelhans, Anne Nesbet, Amy Plum, Sara Grant • P.A.L. Panel Gets Personal
We will run this like a medical clinic. P.A.L. faculty members act as the 'lead doctors' and fellow attendees as consultants. Participants submit their writing "ailment" and an excerpt from their manuscript for analysis and diagnosis.

TBA
Illustrator session: Kendra Marcus & Minju Chang • Focus on Illustration
Like a great manuscript, great art tells a compelling story that makes the reader eager to turn the page. Kendra and Minju examine how artists use a variety of techniques to captivate readers. In addition, the two explain what they look for in a portfolio. It is not mandatory that you bring a portfolio, but Kendra may review a member portfolio in the session. 
16:30-17:30
TBA
SCBWI Announcements
Critique Groups, SCBWI Grants, Upcoming Events, Organizing Locally and SCBWI Bologna 2014
18:00
TBA
Cocktail Party
Illustration Gallery
Special Announcement
Book Sale
19:30
See Map
Dinner (optional)
Samedi


9:00-9:30
Gallery
Registration & Opening Remarks



9:30-11:00
Room 22
Panel with Publishing Pros
·  Heather Alexander, Assistant Editor, Dial Books for Young Readers (US) 
·  Minju Chang, Agent, BookStop Literary (US)
·    Strawberrie Donnelly, Art Director, Little Tiger Press (UK) 
·    Jennifer Laughran, Agent, Andrea Brown Literary (US) 
·  Kendra Marcus, Agent, BookStop Literary (US)
·  Jenny Savill, Agent, Andrew Nurnberg Assoc (UK)
11:15-12:15
Room 22
Heather Alexander  The Hard Sell
Editors and agents have to start selling your book the minute they decide to take it on. Learn how to position your manuscript as a marketable product the same way the professionals do.
12:30-14:00
Room 12
Lunch with Faculty (lunch is provided)
14:00-15:00

Premier Session

Room 21
Writer session: Jenny Savill • Working Internationally from an Agent's Point of View
Jenny discusses what it's like to work in an agency that specialises in international rights, and the advantages for MG and YA authors to be represented by such an agency. 

Room 22
Writer/illustrator session: Jennifer Laughran • Crafting the Perfect Pitch
Does the question "Sooo... what is your book about?" make you freeze in terror? We'll work to craft quick and compelling pitches that come in handy wherever you are in the publishing process.

Room 17
Writer/illustrator session: Kendra Marcus & Minju Chang • Focus on the Picture Book
What does it mean when an art director or editor says “it’s too European” or “it’s so American”? Kendra Marcus shares her broad international experience while exploring the differences between American and European text and illustration. Additionally, Kendra shares her thoughts on promoting work in the U.S. when you live elsewhere.
15:00-17:00
Room 13 Computer Lab
Special Two-Hour Writer Session: Sara Grant • The Revision Game
You’ve finished a first draft of your novel. But a first draft is only the first step toward publication. Reading and re-reading your manuscript is not enough. How do you get beyond line editing and roll up your sleeves and make a good story great? Sara has developed a series of tips and tricks to help writers review and re-build their manuscripts. During this two-hour hands-on session, learn how to bring a fresh eye to your story and correct what’s not working. This session considers the big picture of plot, setting, pace and character while maintaining the heart of your story. Bring a hard copy of the first three chapters of your novel. Be prepared to review and dissect your own work and provide feedback to other participants.
15:00-16:00

Deuxième Session

Room 22
Writer session: Jennifer Laughran • Jumpstart Your Story
Take your work from ordinary to the "next level" with this workshop. We talk about revision tips and tricks, working with critique groups, finding the right place to start your story, and fun ways to get into your characters’ heads to make their voices shine.  

Room 21
Writer session: Jenny Savill • How to Make your Submission Grab an Agent's Attention
The key factors to remember when submitting your work to an agent.

Room 17
Illustrator session: Strawberrie Donnelly • Burst into Children's Books! 
Strawberrie discusses the publishing and commissioning process including: what to submit; whom to target; ensuring your work stands out from crowd; and important Dos and Don'ts. Learn what to expect in terms of reply, feedback, and beginnings of relationship with publisher, how the children's publishing process works, what to look forward to if your work is commissioned, and an overview of timescales, contracts and fees.  
16:00-17:00

Troisième Session

Room 22
Writer session: Heather Alexander • Why, Why, Why? Character through Motivation
A workshop on character and voice. 

TBA
SOLD OUT 
Writer session: Kendra Marcus & Minju Chang • First Pages — Picture Books/Middle Grade/Young Adult
Do you wonder what goes through an agent’s mind as they read submissions? Do they read the whole thing? Find out in this First Pages session for picture book, middle-grade, and young adult fiction with two agents from Bookstop Literary Agency. Get valuable feedback on your own text and learn what works and does not work from hearing both the audience and presenters’ feedback on the text of others. Members get a behind-the-scenes glimpse of an agency workday as Kendra and Minju weigh in with their individual points of view.  

Room 17
Illustrator workshop: Strawberrie Donnelly • Customized to the Attendees
Illustrators who sign up for this workshop will have an Art Director tailor a workshop just for them.
17:00-18:00
Room 22
Closing address
Dimanche


9:30-10:30
Tea Corner
Critique Exchange (must be registered in advance)
10:30-12:00
Tea Corner
Brunch (must be registered in advance)